CONCEPTUAL WORK
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CONCEPTUAL WORK ***
TITLE
ROMANCE ARCHIVES, 2025
DESCRIPTION
mixed media room installation
As part of the Love Letter Obejcts exhibition at University of the Arts Berlin, this work examines different processes of conserving love – or objects associated with it.
The ongoing series Romance Archives (2025) looks at the changes in how we interact with each other – how we love, show love, and hold on to it. It's all about the relics of love in the digital age and explores in many ways how these can be preserved.
MATERIAL
cotton, wire, resin, two iPhones, canning jars, water, formaldehyde
TITLE
SIEBEN TEXTE ÜBER MÜLL, 2025
DESCRIPTION
mini-zine with articles about trash
Welche Rolle spielt Müll in unserem Alltag?
Welche Objekte begleiten uns täglich, ohne dass wir sie bewusst wahrnehmen, und was hätten sie uns zu sagen? In allen Aspekten des Lebens produzieren und konsumieren Menschen Müll – ob digital oder analog.
Diese Texte erforschen aus verschiedenen Blickwinkeln unser Verhältnis zu den kleinen Dingen, die uns umgeben.
MATERIAL
words, paper, plastic bag, some coins, wrapping paper, a lighter
TITLE
SHELLS, 2023
DESCRIPTION
textile installation
Two cocoon dresses, consisting of several visible layers of fabric that have been gradually stripped away and partly solidified, like discarded skins lying on the floor after pupation, tell the story of the process of human revelation. The aim is to make all layers visible down to the skin.
Standing on an invisible scaffold, the costumes, without human form, show what is implied when the shells fall away. The focus is on exploring the body that the costume clothes
MATERIAL
cotton, silk, wire, paper, acrylic paint, paste
TITLE
INBETWEEN, 2023
DESCRIPTION
interactive textile room installation
What does the space on the deep inside look like? A place where I can drop all my shells and armor, where I am just me. Where is the boundary between inside and outside?
The various layers that we put on to go into the world form the theme of this project. Through our skins and shells, we build ourselves an armor in layers to protect our innermost being. The textile layers form our walls to the outside world.
Questions of vulnerability, protection and identity are explored in this work and presented as part of a costume exhibition and room installation.
MATERIAL
cotton, wood, two armchairs, a lamp and a table, a diffuser, vetiver drops